天黑请闭眼
兴城部署清明节和“五一”期间森林防灭火工作_我的网站
A | 3月21日，兴城市森林草原防灭火指挥部办公室就清明节和“五一”国际劳动节期间森林草原防灭火工作进行安排部署。 当前正值森林防火关键时期，气温上升较快，林内可燃物超标，加之清明节、“五一”国际劳动节临近，旅游踏青人员、祭祀和农事用火剧增，野外火源管控难度加大，森林防火形势十分严峻。
Fang Taozi, an AI-generated character who stars in the hit AI short drama series The Girl Who Was Fired, has posted lifestyle vlogs, launched social media accounts, shared her breakfasts, workouts and pets, landed brand deals and has a fanbase.
Since the drama debuted on short video platform Douyin on June 12, it has accumulated 200 million views. Fang's Douyin account has attracted more than 400,000 followers.
Fans interact with her as if she were a real celebrity, creating fan edits, discussing fictional relationships and building a community around her imagined life.
This raises a question that has become increasingly urgent for the entertainment industry: Does Fang Taozi represent the first generation of AI celebrities? The answer depends on how "celebrity" is defined, said Zhang Peng, a cultural researcher and associate professor at Nanjing Normal University, in an interview.
If celebrity status is measured by public attention, emotional connection and commercial value, Fang appears to meet many of the criteria. She has fans, a personal brand and even advertising opportunities.
Whether AI can truly become stars depends not on the technology itself, but on their ability to forge genuine emotional connections with audiences and sustain their appeal over time, added Zhang.
However, Shi Wenxue, a Beijing-based cultural critic, argues that AI stars have indeed emerged, but they should be viewed as part of the broader lineage of virtual idols.
From the 1958 US virtual musical group Alvin and the Chipmunks to Hatsune Miku, Luo Tianyi and the hyper-realistic digital human Liu Yexi, virtual performers have existed in various forms for decades.
From the perspective of how she is created, Fang Taozi represents a technological advance. Her emergence is largely a product of the current economic environment of the film and television industry.
The rise of AI performers has also triggered concerns among human actors, especially those working in smaller productions.
Human performers bring personal experience, emotional interpretation and unpredictability - qualities that remain difficult to reproduce. But for industries that require large volumes of affordable content, AI characters offer obvious advantages: They do not age, can work continuously and can be customized for different audiences.
AI short dramas are cheaper, faster and free from the risks associated with human performers, raising concerns over the future of lower-level entertainment jobs in areas such as short dramas, advertising, background acting and voice work, said Zhang.
In Shi's view, beneath the debate lies a familiar tension: technological efficiency versus the threat of displacement for human workers.
The question is not whether AI will completely replace actors, but which parts of acting and entertainment can be automated, he noted.
Rather than presenting an AI figure only as a digital image, Chinese platforms appear to be building complete entertainment ecosystems around AI characters, including dramas, social accounts, fan interactions and commercial partnerships.
China's AI stars have grown out of the audience's desire for emotional companionship, while Hollywood's AI experiments have been shaped by industry battles over efficiency and costs, noted Zhang.
According to Shi, Fang Taozi's sudden popularity is, in many ways, a reflection of audience psychology. Whether they are moviegoers, fans or casual viewers, audiences have grown weary of formulaic content, scripted fan service, predictable performances and fragile celebrity personas. An idol like Fang Taozi offers an alternative: She cannot be involved in scandals, play diva or break character, and her persona can be adjusted to meet audience demands. But the model also comes with risks, particularly the limitations of its creators and the potential for excessive commercialization.
。各乡镇（街道）、市森防指成员单位要从讲政治、保稳定、促发展的高度，进一步提高思想认识，严格落实“四级包保”责任制，推进森林防火“责任落实到位、宣传教育到位、源头管控到位、依法打击到位、应急处置到位、基础保障到位”。 工作中，通过悬挂防火宣传条幅、“入户敲门”行动、发放宣传资料方式，以及防火巡逻车天天循环播、短信微信天天发、村级大喇叭天天巡回响“三个天天”工作法，持续加大宣传力度，倡导安全文明祭祀，全面增强群众森林防火意识，有效形成群防群治的工作格局。要充分发挥党员干部带头作用，引导群众争做绿色、文明、低碳、安全祭扫新风尚的模范践行者。要加强火源管控，管住重点人员、强化关口前移、加大巡查巡山力度、依法依规治火、化解消除各类风险隐患。要加强预警监测，进一步强化应急处置，加强战备值班，强化练兵备战，加强火险预测预报，强化会商研判，及时发布预警信号。要始终把扑火人员安全放在第一位，加大培训力度，守住安全底线。要严格落实“有火必报、报扑同步”和“每日零报告”制度。森林草原防灭火指挥部成员单位、市级领导和部门包保组要分片包干开展明察暗访，市森防指采取“四不两直”方式适时进行暗访抽查。
B | 要加大追责问责力度，对因责任不落实、措施不到位、失职渎职等引发事故、造成火灾或其他重大损失及严肃不良影响的，将依纪依法从严处理。
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