蓝色生死恋
A musical connection formed in 1985 continues through a new generation of Chinese and American students_我的网站
A |
On the evening of August 12 at the National Centre for the Performing Arts in Beijing, the Yale Whiffenpoofs finished their scheduled program before returning to the stage for an encore featuring three Chinese songs: the traditional folk tune "Jasmine Flower," the popular hit "The Brightest Star in the Night Sky" and "Let the World Be Filled with Love."
The singers' carefully rehearsed Chinese was soon joined by voices from the auditorium, turning the encore into a chorus shared across the hall.
The moment brought a longer journey into focus. More than four decades after the Whiffenpoofs first toured China in 1985, the current ensemble spent 15 days traveling to nine destinations across the country in March and April before returning to Beijing in August.
Founded in 1909, the Whiffenpoofs are the oldest collegiate a cappella group in the US. Each year, 14 Yale students are selected for the student-run ensemble, which performs more than 200 concerts across six continents.
Over its 117-year history, the group has counted among its members songwriter and composer Cole Porter, former US senator Prescott Bush and actor Ron Livingston.
Most of the current members are not music majors. They study subjects ranging from history and global affairs to chemistry, biomedical engineering, neuroscience and economics, but set aside a year to place music at the center of their lives.
Across concert halls, university campuses and villages, the young singers encountered people and places that could not be reduced to distant headlines or images on a screen.
Their journey was not simply about mastering unfamiliar lyrics. It was also about what could begin once the singing stopped and conversation began.
For Zhang Yixiao, a 22-year-old Beijing native and the group's assistant musical director, one of those melodies carried a particularly personal memory.
Long before he left for Yale University, Zhang sang with the renowned Beijing Philharmonic Choir, founded by conductor Yang Hongnian. He also performed on the same stage during the annual August Chorus Festival.
"The Brightest Star in the Night Sky" was also a song he had grown up with - one that used to play over the loudspeakers while he and his classmates ran laps in middle school. Years later, he taught it to his American teammates and listened as a Beijing audience sang it back to them.
During the China tour, Zhang, who studies global affairs and economics at Yale, also helped his fellow singers cross a less familiar musical boundary. He selected the Chinese songs, explained their meanings and helped the group with pronunciation. The pieces were arranged by members of the ensemble.
He chose songs from different ends of China's musical landscape: "The Brightest Star in the Night Sky" represented a contemporary memory shared by many young Chinese people; "Jasmine Flower" introduced the group to one of the country's most recognizable traditional melodies.
The work was shared by Eunice Oh, the first woman to serve as musical director in the Whiffenpoofs' history. Together, Oh and Zhang led the group through the process of learning the Chinese repertoire.
Hearing the Beijing audience join in gave that work an immediate payoff. "I really loved being able to sing with the audience," Oh told the Global Times. "It was very heartwarming."
Getting there required some work. "I think it's a little bit difficult, just because it's so different from the sounds we make in English," Oh said. Zhang taught the group not only how to pronounce the words but also what the lyrics meant. The process was nevertheless enjoyable, and "definitely worth the effort we put in," she said.
The response was often immediate. At performances across China, those in the audience who knew the words sang along.
"That was when we could feel the power of music transcending language divides," Zhang said. "No matter where we come from, or whether an ocean lies between us, we share a love of music and a love of life."
Other songs opened different conversations. After the group performed "Midnight Train to Georgia," a few people in the audience approached the singers to ask about a dance sequence in the number. The answer led to discussions of Hollywood and American popular culture. Chinese students, in turn, introduced Peking Opera and traditional instruments including the pipa, suona and guzheng.
The songs gave the two groups something concrete to ask each other about.
Echoes across time
The Whiffenpoofs' China tour this year was built around a piece of the group's own history.
In 1985, at the invitation of the Chinese People's Association for Friendship with Foreign Countries, the Whiffenpoofs made their first trip to China, performing in Beijing, Nanjing and Guangzhou. Parts of the journey were later preserved in the short documentary Perfect Harmony: The Whiffenpoofs in China.
They arrived in a country still in the early years of reform and opening-up, when even Coca-Cola was a novelty for many Chinese people, and so was the sight of a group of young American visitors.
The "Whiffs" climbed the Great Wall, spoke with Chinese university students, stopped to watch elderly residents practice tai chi, and sang in the open air at the Temple of Heaven.
"Just as they had sung at the Temple of Heaven, we sang the same song again in the same place," Zhang said.
The reprise linked the two tours, while the rest of the itinerary showed how much more geographically varied the 2026 journey had become.
The new route extended well beyond major cities. In Zhaoxing Dong Village, Southwest China's Guizhou Province, the group performed with local choirs and listened to the Grand song of the Dong ethnic group, a polyphonic tradition performed without a conductor or instrumental accompaniment. The encounter brought together two distinct a cappella traditions.
Passed down orally within Dong communities, the tradition includes imitative songs that reproduce sounds from the natural world, particularly animal calls. It was inscribed on UNESCO's Representative List of the Intangible Cultural Heritage of Humanity in 2009.
Zhang said stops such as Zhaoxing and Zhangjiajie gave his fellow singers a view of "a more diverse and different China."
The contrast between major cities and smaller villages became one of Oh's strongest impressions. "Being able to see the diversity that China has to offer, from these big cities to smaller villages, was incredible," Oh said. "I think it is a place unlike any other place I've been in my life and in my travels," she said.
Beyond the stage
Exchanges with Chinese students ran through both visits. During the March tour and the group's return to Beijing in August, the Whiffenpoofs visited universities, performed with student choirs and talked with peers close to their own age.
"Although we grew up in very different countries, the fact that we can all stand together and sing a song really brought us together," Oh said. "Music is a way to connect people."
Yet the connection did not end with the performance. Conversations with Chinese students gave the visitors access to the ordinary details of lives that rarely appear in international headlines.
"It's a very cool way to understand how people similar to our age have been experiencing their lives, and to share that with one another, and just learn about their culture and traditions and background in a way that is very different from just looking on social media or looking in a history textbook," Oh said.
Chinese students described the exchange in similarly concrete terms. Pan Lutong, a Nankai University student who performed with the Whiffenpoofs, said it was her first opportunity to work closely with a choir from an overseas university.
Outside rehearsals, the students also visited Tianjin's Ancient Culture Street together.
"This kind of exchange between students gave us a valuable friendship," Pan said.
The encounters continued in Beijing. On August 10, shortly after arriving in the city, the Whiffenpoofs rehearsed "The Brightest Star in the Night Sky" with the Beijing Wuzi University Riparian Choir.
"Through music, students from China and the US formed friendships and gained new cultural perspectives and musical experiences," a representative of the Riparian Choir told the Global Times.
The August 12 concert was the final performance of the group's year together. Two weeks later, Zhang said, the members would return to Yale, resume their studies and leave the road to another generation of Whiffenpoofs.
That work may continue after the tour. "This experience has shown me the importance and meaning of cultural exchange and face-to-face interaction," Zhang said. "I hope to continue working in this field in the future."
。 本网讯 特约记者张振贺报道 为了引导和鼓励青年学子回到家乡参与实践活动，服务家乡的建设与发展，激发高校毕业生到基层就业创业的热情，7月15日，团建昌县委举办了2024年暑期大学生“返家乡”社会实践活动的启动仪式暨岗前培训动员部署会。
B | 县内各实践单位的代表及所有参与实践的大学生共计50余人参加会议。 会上，县税务局实习生王雨晴作为学生代表发表了表态发言。
C | 她承诺将珍惜这次实践机会，勇于接受挑战，不断提升自己，并以当代大学生应有的责任感，高质量地完成实践任务，全力以赴为家乡的发展贡献力量。 县妇联相关负责人表示，各个单位将结合自身的工作实际，为青年学子们提供一个“受到教育、增长知识和作出贡献”的广阔平台。希望同学们在实践岗位上能够勤奋实践，勇于探索，提高思想认识水平和服务社会的能力，通过实践获得成长并为家乡作贡献。 团县委相关负责人在动员讲话中对参加此次社会实践的大学生表示欢迎，并提出了几点希望：一是珍惜这次机会，积累经验，结合实践发挥专业特长；二是勇于创新，敢于担当，以实际行动服务家乡发展；三是严格遵守纪律，安全实践，充分展现当代青年的精神风貌；四是重视总结，提升自我，不断提高个人的综合素质和能力水平；五是心系家乡，热爱故土，用所学知识回报家乡、服务家乡。 会议结束后，团县委组织参与社会实践的大学生在县城周边开展了人居环境整治志愿服务活动。集中清理了县城周边道路和树林中的垃圾杂物，改善了人居环境卫生，以实际行动支持全县文明城市的创建。 据悉，团县委将继续发挥团组织引领青年、服务青年的职能，持续关心和支持青年学子的成长与发展，引导青年学生树立坚定的理想信念，激发他们投身基层、服务家乡的深厚情感，推动共青团实践育人工作的成效不断加强，吸引更多人才认识建昌、了解建昌、扎根建昌，为建昌县的高质量发展贡献青春力量。
Current article:http://www.lichuorenrenyitankanmeimu.cfd/list_0rh0c/4k1m75.doc
Published on:13:44:02