A | Filmfare returned with the 6th edition of the Filmfare OTT Awards to honour the finest artistes, directors, storytellers, musicians and technicians from OTT series, web original films and short films. The grand awards ceremony, held on December 15, 2025, saw some of the best names take home the prestigious Black Lady. The Best Series Award went to Black Warrant while Paatal Lok bagged the Best Series, Critics' Award. Monika Panwar won in the Best Actor Series (Female): Drama category for her role in the spine-chilling Khauf while Jaideep Ahlawat won the Best Actor, Series (Male): Drama award for the gritty Paatal Lok. Barun Sobti and Sparsh Shrivastava were joint winners in the Best Actor Series (Male): Comedy category for Raat Jawaan Hai and Dupahiya, respectively. Ananya Panday bagged the Best Actor, Series (Female): Comedy award for for Call Me Bae. Here are the winners of Filmfare OTT Awards 2025, co-powered by Hyundai and Blenders Pride. In This Article BEST SERIESBEST DIRECTOR, SERIESBEST SERIES (CRITICS')BEST DIRECTOR: SERIES (CRITICS')BEST ACTOR, SERIES (MALE): DRAMABEST ACTOR (MALE), SERIES, CRITICS': DRAMABEST ACTOR, SERIES (FEMALE): DRAMABEST ACTOR (FEMALE), SERIES, CRITICS': DRAMABEST COMEDY (SERIES/SPECIALS)BEST ACTOR, SERIES (MALE): COMEDYBEST ACTOR, SERIES (FEMALE): COMEDYBEST SUPPORTING ACTOR, SERIES (MALE): DRAMABEST SUPPORTING ACTOR, SERIES (FEMALE ): DRAMABEST SUPPORTING ACTOR, SERIES (MALE): COMEDYBEST SUPPORTING ACTOR, SERIES (FEMALE): COMEDYBEST (NON FICTION) ORIGINAL (SERIES/ SPECIAL)BEST FILM, WEB ORIGINALBEST DIRECTOR, WEB ORIGINAL FILMBEST WEB ORIGINAL FILM: CRITICS'BEST ACTOR, WEB ORIGINAL FILM (MALE)BEST ACTOR, WEB ORIGINAL FILM (FEMALE)BEST ACTOR (MALE) CRITICS' WEB ORIGINAL FILMBEST ACTOR (FEMALE) CRITICS' WEB ORIGINAL FILMBEST SUPPORTING ACTOR, WEB ORIGINAL FILM (MALE)BEST SUPPORTING ACTOR, WEB ORIGINAL FILM (FEMALE)BEST STORY, SERIESBEST ORIGINAL SCREENPLAY, SERIESBEST ADAPTED SCREENPLAY, SERIESBEST DIALOGUE, SERIESBEST CINEMATOGRAPHER, SERIESBEST PRODUCTION DESIGN, SERIESBEST EDITING, SERIESBEST COSTUME DESIGN, SERIESBEST BACKGROUND MUSIC, SERIESBEST VFX, SERIESBEST SOUND DESIGN, SERIESBEST MUSIC ALBUM, SERIESBEST STORY (WEB ORIGINAL FILM)BEST ORIGINAL SCREENPLAY (WEB ORIGINAL FILM)BEST DIALOGUE (WEB ORIGINAL FILM)BEST CINEMATOGRAPHER (WEB ORIGINAL FILM)BEST PRODUCTION DESIGN (WEB ORIGINAL FILM)BEST EDITING (WEB ORIGINAL FILM)BEST BACKGROUND MUSIC (WEB ORIGINAL FILM)BEST SOUND DESIGN (WEB ORIGINAL FILM)BEST MUSIC ALBUM (WEB ORIGINAL FILM)BEST DEBUT DIRECTOR, SERIESBREAKTHROUGH PERFORMANCE BY A NEWCOMER (MALE), SERIESBREAKTHROUGH PERFORMANCE BY A NEWCOMER (FEMALE), SERIESBEST DEBUT DIRECTOR, WEB ORIGINAL FILMBREAKTHROUGH PERFORMANCE BY NEWCOMER (MALE), WEB ORIGINAL FILMBREAKTHROUGH PERFORMANCE BY NEWCOMER (FEMALE), WEB ORIGINAL FILMBEST SHORT FILM (PEOPLE'S CHOICE)BEST ACTOR (FEMALE), SHORT FILMBEST ACTOR (MALE), SHORT FILMBEST SHORT FILM (FICTION)BEST SHORT FILM (NON-FICTION OR DOCUMENTARY)BEST DIRECTOR, SHORT FILMBEST SERIES BLACK WARRANT BEST DIRECTOR, SERIES VIKRAMADITYA MOTWANE, SATYANSHU SINGH, ARKESH AJAY, AMBIECKA PANDIT AND ROHIN RAVEENDRAN (BLACK WARRANT) BEST SERIES (CRITICS') PAATAL LOK SEASON 2 BEST DIRECTOR: SERIES (CRITICS') ANUBHAV SINHA (IC 814: THE KANDAHAR HIJACK) NAGESH KUKUNOOR (THE HUNT: THE RAJIV GANDHI ASSASSINATION CASE) BEST ACTOR, SERIES (MALE): DRAMA JAIDEEP AHLAWAT (PAATAL LOK SEASON 2) BEST ACTOR (MALE), SERIES, CRITICS': DRAMA ZAHAN KAPOOR (BLACK WARRANT) BEST ACTOR, SERIES (FEMALE): DRAMA MONIKA PANWAR (KHAUF) BEST ACTOR (FEMALE), SERIES, CRITICS': DRAMA RASIKA DUGAL (SHEKHAR HOME) BEST COMEDY (SERIES/SPECIALS) RAAT JAWAAN HAI (SUMEET VYAS) BEST ACTOR, SERIES (MALE): COMEDY BARUN SOBTI (RAAT JAWAAN HAI) SPARSH SHRIVASTAVA (DUPAHIYA) BEST ACTOR, SERIES (FEMALE): COMEDY ANANYA PANDAY (CALL ME BAE) BEST SUPPORTING ACTOR, SERIES (MALE): DRAMA RAHUL BHAT (BLACK WARRANT) BEST SUPPORTING ACTOR, SERIES (FEMALE ): DRAMA TILLOTAMA SHOME (PAATAL LOK- SEASON 2) BEST SUPPORTING ACTOR, SERIES (MALE): COMEDY VINAY PATHAK (GRAM CHIKITSALAY) BEST SUPPORTING ACTOR, SERIES (FEMALE): COMEDY RENUKA SHAHANE (DUPAHIYA) BEST (NON FICTION) ORIGINAL (SERIES/ SPECIAL) ANGRY YOUNG MEN (NAMRATA RAO) BEST FILM, WEB ORIGINAL GIRLS WILL BE GIRLS BEST DIRECTOR, WEB ORIGINAL FILM SHUCHI TALATI (GIRLS WILL BE GIRLS) BEST WEB ORIGINAL FILM: CRITICS' BOMAN IRANI (THE MEHTA BOYS) BEST ACTOR, WEB ORIGINAL FILM (MALE) ABHISHEK BANERJEE (STOLEN) BEST ACTOR, WEB ORIGINAL FILM (FEMALE) SANYA MALHOTRA (MRS) BEST ACTOR (MALE) CRITICS' WEB ORIGINAL FILM VIKRANT MASSEY (SECTOR 36) BEST ACTOR (FEMALE) CRITICS' WEB ORIGINAL FILM PREETI PANIGRAHI (GIRLS WILL BE GIRLS) BEST SUPPORTING ACTOR, WEB ORIGINAL FILM (MALE) DEEPAK DOBRIYAL (SECTOR 36) BEST SUPPORTING ACTOR, WEB ORIGINAL FILM (FEMALE) KANI KUSRUTI (GIRLS WILL BE GIRLS) BEST STORY, SERIES SMITA SINGH (KHAUF) SUDIP SHARMA, ABHISHEK BANERJEE, RAHUL KANOJIA, TAMAL SEN (PAATAL LOK SEASON 2) BEST ORIGINAL SCREENPLAY, SERIES SUDIP SHARMA, ABHISHEK BANERJEE, RAHUL KANOJIA, TAMAL SEN (PAATAL LOK SEASON 2) BEST ADAPTED SCREENPLAY, SERIES SATYANSHU SINGH & ARKESH AJAY (BLACK WARRANT) BEST DIALOGUE, SERIES ANUBHAV SINHA & TRISHANT SRIVASTAVA (IC 814: THE KANDAHAR HIJACK) BEST CINEMATOGRAPHER, SERIES PANKAJ KUMAR (KHAUF) BEST PRODUCTION DESIGN, SERIES PRIYA SUHAAS, SURABHI VERMA (FREEDOM AT MIDNIGHT) BEST EDITING, SERIES TANYA CHHABRIA (KHAUF) BEST COSTUME DESIGN, SERIES AYESHA DASGUPTA (FREEDOM AT MIDNIGHT) BEST BACKGROUND MUSIC, SERIES ALOKANANDA DASGUPTA (KHAUF) BEST VFX, SERIES PHANTOM FX (KHAUF) BEST SOUND DESIGN, SERIES BIGYNA DAHAL (KHAUF) BEST MUSIC ALBUM, SERIES AKASHDEEP SENGUPTA (BANDISH BANDITS SEASON 2) BEST STORY (WEB ORIGINAL FILM) KARAN TEJPAL, GAURAV DHINGRA, SWAPNIL SALKAR (STOLEN) BEST ORIGINAL SCREENPLAY (WEB ORIGINAL FILM) AVINASH SAMPATH & VIKRAMADITYA MOTWANE (CTRL) BEST DIALOGUE (WEB ORIGINAL FILM) VIJAY MAURYA (AGNI) BEST CINEMATOGRAPHER (WEB ORIGINAL FILM) ISSHAAN GHOSH (STOLEN) BEST PRODUCTION DESIGN (WEB ORIGINAL FILM) ACROPOLIS, SUMIT BASU, SNIGDHA BASU & RAJNISH HEDAO (AGNI) BEST EDITING (WEB ORIGINAL FILM) JAHAAN NOBLE (CTRL) BEST BACKGROUND MUSIC (WEB ORIGINAL FILM) SNEHA KHANWALKAR (CTRL) BEST SOUND DESIGN (WEB ORIGINAL FILM) SUSMIT BOB NATH (STOLEN) BEST MUSIC ALBUM (WEB ORIGINAL FILM) JUSTIN PRABHAKARAN & ROCHAK KOHLI (AAP JAISA KOI) BEST DEBUT DIRECTOR, SERIES PUSHKAR SUNIL MAHABAL (BLACK, WHITE & GRAY- LOVE KILLS) BREAKTHROUGH PERFORMANCE BY A NEWCOMER (MALE), SERIES ANURAG THAKUR (BLACK WARRANT ) BREAKTHROUGH PERFORMANCE BY A NEWCOMER (FEMALE), SERIES LISA MISHRA (CALL ME BAE) BEST DEBUT DIRECTOR, WEB ORIGINAL FILM KARAN TEJPAL (STOLEN) ADITYA NIMBALKAR (SECTOR 36) BREAKTHROUGH PERFORMANCE BY NEWCOMER (MALE), WEB ORIGINAL FILM SHUBHAM VARDHAN (STOLEN) BREAKTHROUGH PERFORMANCE BY NEWCOMER (FEMALE), WEB ORIGINAL FILM ARRCHITA AGARWAL (DESPATCH) BEST SHORT FILM (PEOPLE'S CHOICE) DIVORCE DIRECTOR: RAAGHAV KANSAL BEST ACTOR (FEMALE), SHORT FILM FATIMA SANA SHAIKH FILM: AYESHA BEST ACTOR (MALE), SHORT FILM AYAN KHAN FILM: CHASHMA BEST SHORT FILM (FICTION) AYESHA DIRECTOR: NIHIT BHAVE BEST SHORT FILM (NON-FICTION OR DOCUMENTARY) LANGUR DIRECTOR: HAIDER KHAN BEST DIRECTOR, SHORT FILM RENUKA SHAHANE FILM: DHAAVPATTI Also Read: All Inside Pictures From The Filmfare OTT Awards 2025。
B | 7月31日，第十届麒麟国际创意节暨麒麟国际广告奖颁奖盛典在上海陆家嘴中国金融信息中心举行。贵州省体育彩票管理中心与本土茶饮品牌“去茶山”联合推出的“彩茶趣·‘声声’不息——以《掌心的光》照亮成长”公益联名活动，摘得音乐营销类金奖。这是继去年获DMAA国际数字营销奖后，该系列联名活动连续第二年得到行业认可。
C | 此次获奖的品牌联名活动，是贵州体彩近年来品牌创新的一个缩影。2025年11月，活动在全省23家去茶山门店推出联名茶饮，消费者每购买一杯，双方便向黎平县双江镇黄岗小学捐赠2元，定向支持侗族大歌传承教育。联名产品所用黎平香禾糯，取自受捐地的稻鱼鸭共生田，是侗家人节庆、待客离不开的味道。
D | 原创推广曲《掌心的光》由云岩区音协少儿合唱团与舞乐蝉歌乐团共同演绎，纯净童声与侗族大歌复调交织，MV全网播放量达14万次。
E | 从原料溯源到捐赠公示，再到音乐传播，一条“消费即公益、公益可感知”的路径清晰可见。
F | 回看近几年的探索，贵州体彩的品牌创新始终围绕一个核心命题展开：如何让体彩公益从彩票背后走出来，进入公众的日常生活。第一季“彩茶趣”以可撕式杯套制造趣味互动，第二季以一首歌联结非遗传承，体彩的角色也从单纯的出资方，逐步转变为公益场景的设计者、文化内容的共创者。贵州体彩借此打破了传统、严肃的印象，通过与新式茶饮品牌的跨界，塑造了“年轻、个性、有趣”的新形象。贵州体彩相关负责人表示：“我们希望通过品牌联名的方式，将公益融入日常，让每一次消费都化作点亮公益的微光。”值得注意的是，这一系列探索并未停留在茶饮与非遗的跨界。据了解，贵州体彩与去茶山正在筹备新一季联名活动，方向将围绕“全民健身”与“普通人的运动高光时刻”展开。与以往侧重文化传承不同，新一季活动更强调体育精神的日常表达——不是只有站上领奖台才算“金牌时刻”，普通人坚持跑步、学会一项运动技能、完成一次自我挑战，同样值得被看见、被记录。
G | 体彩公益金支持的全民健身事业，有望通过这样的活动，从抽象的数字转化为公众可参与、可分享的情感体验。总的来说，贵州体彩与“去茶山”的联名，通过精准的年轻化策略和深度的公益文化融合，成功地实现了品牌拉新和形象升级，为传统品牌如何与年轻消费者沟通提供了一个优秀的范本。
H | 从一杯茶到一首歌，再到即将开启的体育主题探索，贵州体彩的跨界之路，正在从“公益+消费”向“公益+生活”的更大场景延伸。当侗族大歌的复调与普通人的运动身影在城市街头相遇，体彩公益不再是彩票背后的一串数字，而是融入日常、可感可及的持久行动。
I | 那条连接体育与生活、公益与品牌的路，仍在向更远处延伸。
J |
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