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作者:王龙 来源:原创 发布日期:08-20

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Low-budget ‘Niu Lai’ emerges as a surprise hit with its ‘disaster-level’ animation, grabbing millions in China as curiosity rivals Nolan’s ‘The Odyssey’_我的网站

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A |     Fantagraphics 正在推出一个名为 Takumigraphics 的新子品牌,专注于精选的东亚漫画和图文小说。该系列的首部作品是 Lovers of the Empire,这是一个以 20 世纪 20 年代日据时期的朝鲜半岛为动荡背景的爱情故事。    

Photo: Promotion poster for Niu Lai
Photo: Screenshot from website
While Christopher Nolan's The Odyssey and a string of high-profile domestic and international releases compete for audiences in China's fiercely contested summer movie season, an obscure animated film has emerged as one of the period's most unexpected box-office stories.
Niu Lai, a low-budget original animation with rudimentary character modeling and an unconventional, abstract storyline, hit Chinese theaters on August 5 but earned just 7,169 yuan ($995) during its first nine days. But its cumulative box office had surpassed 2.5 million yuan as of press time.
Niu Lai opened with little of the machinery normally associated with a commercial theatrical release. It had no star-studded cast, major promotional campaign or significant pre-release buzz. Its opening-day box office was just over 3,400 yuan ($474), with fewer than 300 moviegoers watching it during its first nine days, according to Maoyan.
That changed on August 14, when a social media topic about its nine-day box office of just over 7,000 yuan went viral. Rather than praising the film, many users were drawn to its unusually rough production and two-person creative team.
Terms such as “the most basic theatrical film,” “disaster-level” and “worse than AI-generated animation” circulated online, with some netizens saying they could “hardly believe it was a Chinese animated film released in 2026.” Others said they wanted to see it simply to find out “just how bad it could be.” Some even joked that stock market investors were heading to theaters after wishing for a “bull market” to arrive soon.
The online buzz has also sparked a wave of fan-made content, with netizens inserting the film's little bull character into posters for various classic movies. The playful edits have further fueled its visibility on social media, turning Niu Lai into an internet meme and a shared online joke.
The film's viral attention also spawned jokes that Nolan might not have expected Niu Lai to become an unlikely rival to The Odyssey, which opened in China on August 14 amid intense competition for summer moviegoers.
Its rise stands in sharp contrast to the conventional logic of China's increasingly competitive theatrical market, particularly this summer, when a string of high-profile releases, including The Odyssey, Once Upon a Time in the Middle East and Spider-Man: Brand New Day, are competing for audiences.
"Niu Lai has been driven by curiosity and social currency, with audiences essentially paying a premium for the feeling of being part of a trending phenomenon. Curiosity can generate genuine audience interest, but social-media-driven hype is essentially a bubble built on traffic," Zhang Peng, a cultural researcher and associate professor at Nanjing Normal University, told the Global Times.
"When cinemas add screenings for Niu Lai, they may appear to be responding quickly to market demand, but in reality, they are giving in to online buzz rather than making decisions based on the quality of the film itself," Zhang said.
According to Zhang, The Odyssey's strong reception and high theater attendance in China demonstrate that high-quality content, combined with a distinctive and hard-to-replicate theatrical experience, remains at the heart of the cinema business.
"Niu Lai, meanwhile, serves as a warning that speculative filmmaking and curiosity-driven marketing should not be mistaken for a replicable formula, as relying on such tactics offers little positive value for the long-term development of the film industry," he said.
"A fleeting viral frenzy can never replace a solid creative foundation. Content quality remains the enduring value that will sustain the film industry over the long term," Zhang said.
。随着 Lovers of the Empire 第 1 卷现已上市,现独家发布该精装本的新预览图。Lovers of the Empire 由 Yudori 创作,他是 2024 年艾斯纳奖提名作品 Raging Clouds 的创作者。以下是本书的官方梗概:Lovers of the Empire 讲述了两个来自不同社会阶层的青少年被命运交织在一起的故事。

B | Arisa Jo 是一个富商的女儿,也是京城(首尔旧称)最炙手可热的单身女性。她穿着西式礼服,留着电影明星般的发型,态度自信,体现了大胆的“摩登”价值观。Jun Seomoon 则与她截然相反,是一个来自农村、根植于传统的年轻人。当 Arisa 的父亲委派 Jun 护送她前往大城市时,两人的性格发生了碰撞,并擦出了火花。这种意想不到的联系让这些青少年在瞬息万变的世界中开启了新的视野。表面上这是一个甜蜜有趣的“他们会在一起吗”的浪漫故事,但通过对处于十字路口的韩国的描绘——一个被日本占领、受西方影响、并在面对现代性时引发公民内心冲突的城市——这个故事获得了深度。这部时代剧以绚丽的全彩呈现,描绘了一个动荡时代中迷人的城市,以及两个核心的迷人角色。“Lovers of the Empire 是一个可爱的男孩遇见女孩的浪漫故事,背景是沉默的大屠杀和战斗,”Yudori 在一份声明中说。“在某种程度上,这就是作为韩国人的感觉:保持丰盈和无害的假象,而内心深处总有一些东西在酝酿,就在爆炸点之下。战争并不会止步于战场和炸弹现场,它们会渗透进我们的日常生活。

C | ”“Fantagraphics 的使命长期以来一直是赞颂各种形式的伟大漫画创作,从该领域的早期领军人物到目前正在开创视觉叙事未来的全球当代艺术家,”Fantagraphics 副发行人 Eric Reynolds 表示。“Takumigraphics 是这一使命的延伸,是对日漫(Manga)、韩漫(Manhwa)和国漫(Manhua)以及其他东亚漫画在开创未来中所扮演的关键角色的认可。

D | 随着我们继续扩大亚洲作品的阵容,将它们归入一个品牌下是非常合理的,这能最好地展示在日本、韩国、中国及其他地区创作的优秀作品。”Lovers of the Empire 第 1 卷现已在书店发售。

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Published on:18:06:41


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