一 | 8月26日消息，现在的初中生也太厉害了！ 据新华日报消息，上海一名13岁初二女生朱书浛，靠着AI自主创业，短短3天直接斩获1.8万元净收入，狠狠拿下属于自己的第一桶金！ 这场封神的经历，源自杭州近期举办的全国首场无评委营销黑客松卖客松大赛。 和传统比赛完全不同，这场赛事没有专业评委、没有繁琐打分表，真实付费用户就是唯一的裁判！ 赛事集结50多支优质团队，开启48小时比拼，全程比拼AI产品的真实变现能力，凭实力说话。 让人万万没想到的是，杀出重围、斩获季军的，不是行业大佬、不是资深创业者，而是刚升初二、年仅13岁的朱书浛！ 比赛期间，她自研的AI虚拟陪读应用“在场”火爆出圈，短短三天收获近90份真实订单，净收入突破1.8万元，实力碾压一众成人团队！ 这款爆火的“在场”虚拟陪读APP，拿捏千万家庭的育儿痛点，功能贴心又实用，完全区别于生硬的监督工具！ 操作超级简单：只需上传一张父母照片，就能解锁专属虚拟家长陪读模式。 全程通过智能摄像头实时监测学习状态，一旦发现孩子偷偷玩手机、擅自离座走神，屏幕上的虚拟家长就会温柔语音提醒，不吼不骂、高效监督。 不仅如此，每次自习结束后，APP还会自动生成专属专注力报告，清晰记录学习状态、走神时长，让自律提升有据可依。 Costume designer Smriti Chauhan is one of the creative forces behind Ranveer Singh’s look in Dhurandhar. She says the film’s now-viral bearded avatar was born from months of iterative work, collaboration and a deep integration of costume with hair, makeup, lighting and performance. In an exclusive conversation with Filmfare, Chauhan breaks down the meticulous process, from conceptual sketches to 40-metre salwars and silicon jewellery designed to survive high-octane action. Region, story and technical precisionChauhan reveals that the idea of a full beard was rooted in the character’s geography and cultural background. “We knew there was going to be a beard because of the region he comes from, what he’s performing and who he is,” she says. The hair and makeup team played a decisive role as well. They dictated the skin tone, lens colour and texture choices that needed to sync with her costume palette. “Costume and hair and makeup cannot be separated,” Chauhan emphasises. “The look comes alive only when all three, costume, HMU and lighting - work in harmony.”Ranveer’s inputs and a sharp eye for detailChauhan was nervous as she met Ranveer Singh for the first time while working on the movie. However, she says that the actor immediately put her at ease. But Singh was far from a passive participant. He dissected materials, cuts and accessories with precision. He’d ask, ‘Why linen? Why not silk? Why this jewellery? Why this structure?’ According to the designer, his questions pushed her to have solid answers.Smriti also shares, “And when you have the answers, it gives you more clarity. So with Ranveer, he ensured that he helps the two of us get clarity on the character. He also added some technical bits. He asked me to add a wire on the collar so that it stays like that when he is moving around.” Ranveer’s physical transformationOne of the biggest challenges for Chauhan’s team was designing for a body that kept changing. Ranveer bulked up for a portion of the film and then shed weight rapidly for another. “We had to ensure that with every change in his body, the clothes didn’t show that change... The look had to stay consistent,” she shares.The character evolves from a street nobody to someone big. The costumes had to mirror his transformation. Initially, his look is rooted in ruggedness. “So all of this came together working very closely with him. We understood which materials are working the best and which is looking rugged. His entire journey in this film is like that of a nobody becoming somebody, like really big. So that journey itself was grand.” The nightmare of action-friendly jewelleryLater, as the character rises in stature, accessories become key. Ironically, Chauhan had laughed off Ranveer’s early questions about accessories because of the heavy action sequences. But he persisted. “Cut to the first sequence in the teaser - he is loaded in accessories. I can tell you this, I’ll throw a rug on him and he’ll carry it with perfection. The next thing you know is that we have added so many accessories on him,” she adds.As the film is packed with lengthy action sequences, some shot over 10 to 12 days, Chauhan’s team had to create silicon jewellery that looked real but wouldn’t injure the actor or break under impact. “It was a nightmare but became necessary.” The Balochi salwar challengeOne of the film’s most technically challenging pieces was the traditional Balochi salwar. The authentic garment uses 30 to 40 metres of fabric, which is impossible for action scenes. Instead, Chauhan’s team created prototypes using 17 to 20 metres. They experimented with fabric weight, fall, pleats and movement. “We kept making so many prototypes. When he wore it, it looked less; when we spread it out, it was huge. Overall, it was a massive learning experience,” she recalls.Months of prep, presentations and look testsThe team spent two to three months preparing Ranveer’s looks. They went through six different presentation decks and multiple iterations for each phase of his journey. Three comprehensive look tests were done even before shooting. Moreover, sudden scheduling changes accelerated everything. “We thought we’d shoot in October, but suddenly the shoot got pulled to July. We were like, ‘What?’ But luckily we had done early homework,” she recalls.The moment Ranveer called her a ‘Rockstar’Chauhan recalls one of her most overwhelming moments when Ranveer looked at the first major look test and told her he’d “never seen this level of detailing.” “Coming from someone who’s worked with the greatest designers worldwide, it meant the world. It pushed me to raise my own bar,” she says.Despite the scale, the pressure and the physicality of the film, Chauhan says Ranveer’s collaborative nature made the process smooth. “He is the best team player I could have asked for. His encouragement, his curiosity, his involvement - everything helped build the character’s world,” she quips.Also Read: Sara Arjun gives Dhurandhar co-star Ranveer Singh a moving tribute as she shares BTS photos。 谈及产品初心，朱书浛的想法格外温柔：“我不喜欢打小报告，所以希望它温柔一点，给孩子留一点成长空间。” 值得一提的是，这个绝佳创意，完全源自她的亲身经历。平时父母工作繁忙，无法全程陪伴学习，自己写作业时也难免走神、偷偷玩手机。 深知“想自律却管不住自己”的困扰，她便想用AI做一款温柔的监督工具，帮同龄人摆脱学习惰性。 值得一提的是，从灵光乍现的创意构思，到打磨出完整核心功能，她断断续续只用了三四天时间就完成落地。 对于未来，朱书浛也有清晰规划：“如果真的有人愿意掏钱，我就继续做下去。”
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