
一 | An ancient bridge built during the reign of the Roman Emperor Nero has recently emerged from the waters of the Tiber River that usually conceal it, Libero Tecnologia reports.,According to the media outlet, the bridge, whose construction was actually ordered by Nero’s predecessor Caligula, was demolished in 500 AD in order to prevent the Goths from entering and plundering the city, and the remains of the structure have since rested beneath the flowing waters of the Tiber, only reemerging on rare occasions when water level in the river falls “too low.”,The development, Libero Tecnologia warns, is actually a worrisome sign, as Rome and the entirety of Lazio are “on drought alarm,” and the water level in the Tiber had dropped by six centimeters in six days, reaching a state that has only been “seen a few times before.”,Namely, the depth of the Tiber dropped to 1.12 meters this month, while normally it should be between 4 and 5.5 meters.,The situation has occurred amid a lack of rainfall in Rome – the media outlet states that it hasn’t rained there for over a month.,Meanwhile, Nicola Zingaretti, the president of Lazio, reportedly declared a “state of natural disaster,” with local residents and companies being advised not to waste water.。 今年暑假,位于湖北武汉的中国建筑科技馆古代建筑展厅焕新开放。

二 | 近日,经过精细化布展调试,该馆从武当博物馆借展的29件从未公开展出的明清古建遗构,全部通过全套定制尺寸支撑模具安装就位,配套展陈内容经古建专家校准,系统呈现了明代“北建故宫、南修武当”的皇家营建体系。 本次就位的遗构涵盖木雕、石雕、琉璃三类,布展全程严格参照武当山古建档案,所有构件均为整体运输,定制模具完全匹配构件的原构形制与受力点位。 重达300余公斤的明代石雕龙纹照壁盒子,采用青石深浮雕技法,龙首威严、海水江崖纹层次分明,安装时模具贴合浮雕轮廓,既避免压损纹饰,也还原了其在武当原址的倾角、朝向,完整保留了明代高等级礼制构件的规制特征; 明黄绿釉卷草纹琉璃隔扇门的定制模具避开釉面区域,仅托住边缘受力,清晰呈现了缠枝花卉、灵芝卷草的官式琉璃工艺,与故宫琉璃构件形制同源; 清木雕鹿形、狮形牛腿(专业名“撑拱”)经专家校准定名,明确其与枋下雀替的功能差异,安装时按承重逻辑固定,完整保留了鹿身梅花纹、狮鬃毛的雕刻细节,以便于向公众展示。 武当博物馆副馆长刘金燕介绍,这批构件都是武当山古建群的核心可移动遗构,此前从未离开过武当山,他们全程跟进布展,确保每一处细节符合历史原貌。 本次安装的琉璃构件龙纹形制、釉色配方与故宫官式建筑一脉相承,最大程度保留了文物的完整性。

三 | 目前展出的梁思成营造学社未刊手稿,与同柜展出的琉璃构件形成“图纸-实物”互证,观众可对照手稿标注,直接找到构件上的模数化工艺细节。华中科技大学建筑与城市规划学院副教授万谦表示,这批就位文物填补了中原地区明代官式建筑实物史料的空白。 目前,这批文物已纳入中国建筑科技馆古代建筑展厅常设展陈序列,所有常设展厅全部免费向公众开放,馆方同步推出榫卯拼装、斗拱拆解等配套研学活动,让观众近距离感受古建文物的工艺智慧。
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